Neunaber Immerse Mk II

Product Information

Hall sounds similar but with a nicely judged pre-delay to keep the dry sound further out in front, and is equally luscious with a dash (or more than a dash) of modulation. Plate differs subtly again, adding some metallic density, and this time you can adjust the length of pre-delay. Inevitably, that’s at the expense of modulation – a minor compromise, but perhaps the first sign of the compact format’s limitations. W3T (Wet version 3)— exclusive to the Mk II, our new flagship reverb is smoother and more three-dimensional sounding than ever before. Now with adjustable pre-delay, it enhances what you play without covering it. Detune– Adds a detuned double of the dry signal with reverb, now with true blend control between detune and detuned reverb.

With 8 richer reverbs and a Mix knob that goes 100% wet, the Immerse Mk II is our best-sounding reverberator to date. Delivering the same no-nonsense flexibility as its predecessor, it’s more user-friendly than ever before.The Hall is what the standard norm of hall is but just so realistic it is transporting. I use this more in live environments as it is more natural. Take the tone knob up to ¾’s and you really get a special psuedo-shimmer compliment without being as overwhelming as most shimmers. W3T (Wet v3) — Our flagship reverb algorithm is smoother and more three-dimensional sounding than ever before. With adjustable pre-delay, it enhances what you play without covering it. This week Neunaber unveiled a new version of their flagship multi-mode stereo reverb, the Immerse MkII, which features new circuitry, and upgraded algorithms that were fully redesigned from the ground up “they are certainly the best I’ve created to date” – says Brian.

If it sounds good do it, just to be clear about that. Its RULE 1`of music and electronics takes a bak seat to music in my book, even if you are blowing up a vintage supro amp worth over a grand. FEATURES Mono and stereo inputs and outputs, buffered bypass, powered by 9V mains supply only (not supplied)Serving as an incredible ambient and creative tool, the MkII builds upon the foundations of the original unit.Featuring a number ofthoughtful updates, the Neunaber Immerse MkII reverb pedal not only sounds superior, but is also more user-friendly than ever before. A Raft of Reverbs The Immerse Mk II represents the very best in pedal reverberation — with studio-quality algorithms, high-fidelity circuitry, heavy-duty components and construction — all in a small footprint. The Mk II is a monumental step forward and features completely-redesigned circuitry and upgraded algorithms.

The sustain algorithm is an odd one. It can be configured as a sustainer or an infinite reverb. I think I have only used it in the sustainer mode and need to try it in infinite. As a sustainer it only sustains the notes as you play them and once you move to another chord or note it cuts out, this could just be user error, but it wasn’t something I explored further. Echo is more of a reverb with a bit of delay, which could be useful to make a sound even vaster. It’s again not an algorithm I’ve spent much time with. There’s a lot to go over here but I’ll keep it simple and focus on the more advanced features. Volume (how loud the wet signal is), Depth (how long the wet signal lasts), Type (which of the above reverbs to use), and Tone or Echo Time (Brightness or darkness of the wet signal or delay time of the echo setting). What of the other settings on the immerse? The other algorithms on offer consist of the usual spring, hall and plate then some more unusual offerings; sustain, echo, detune and shimmer. The plate hall and spring are exactly what you would expect if you have ever used any other reverb. They are excellent algorithms and I find myself if not using the W3T using the hall for a wide cavernous reverb. Over the past few years his company has built a strong reputation for their multi-mode digital effects, in particular for their lush reverb and delay pedals, receiving especially high marks for their shimmer reverbs.Negatives: no presets, it’s on the pricey side especially when you consider that it doesn’t have presets and a lot of reverbs in this price range have them. An option for a favourites switch like strymon have would be nice even if it meant the pedal was wider or taller as it’s already very compact. This is quite a minor gripe, but hopefully something that might be remedied in a later version.