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Kind of Blue

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a b "Liner note reprint: Miles Davis— Kind of Blue (FLAC— Master Sound— Super Bit Mapping)". Stupid and Contagious . Retrieved July 27, 2008. It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded. Fisher, Tyler (June 30, 2006). "Miles Davis – Kind of Blue". Sputnikmusic . Retrieved September 10, 2023. French album certifications – Miles Davis – Kind of Blue" (in French). Syndicat National de l'Édition Phonographique . Retrieved January 5, 2014. a b Palmer, Robert (1997). "Liner Notes to 1997 Reissue". Kind of Blue (CD). New York, NY: Sony Music Entertainment, Inc./Columbia Records.

MiniDisc, Columbia CM 40579 (US) from a master prior to 1997, but not the Jazz Masterpiece remaster. It was unavailable by the end of the 1990s when production of Jazz Masterpiece series had ceased. It was not issued at the correct speed. [82] a b c d e Ashley Kahn (2001). Kind of Blue: The Making of the Miles Davis Masterpiece. foreword by Jimmy Cobb. Da Capo Press. pp. 67–68. ISBN 0-306-81067-0. The Making of Kind of Blue: Miles Davis and His Masterpiece bebop. Now Analogue Productions, together with Quality Record Pressings, is putting Kind of Blue where it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record. time. "Flamenco Sketches" consists of five scales, which are each played "as long as the soloist wishes until he has completed the series". [8]Tingen, Paul (1999). "The Making of the Complete Bitches Brew Sessions". Miles Beyond . Retrieved September 10, 2023.

Colin Larkin, ed. (2000). All Time Top 1000 Albums (3rded.). Virgin Books. p.40. ISBN 0-7535-0493-6. Cook, Richard; Morton, Brian (2002). The Penguin Guide to Jazz on CD. 6th edition. Penguin. ISBN 0-14-051521-6.

Kind of Blue is more than Miles Davis’s most enduring recording, it’s a testament to Miles’ experimental approach, drastically simplifying modern jazz by returning to melody unlike the chord complexity more often heard at the time. The 200-gram records will feature the same flat profile that helped to make the original UHQR so desirable. Bill Evans wrote in the LP liner notes, "Miles conceived these settings only hours before the recording dates." [8] Evans continued with an introduction concerning the modes used in each composition on the album. " So What" consists of two modes: sixteen measures of the first, followed by eight measures of the second, and then eight again of the first. [8] " Freddie Freeloader" is a standard twelve-bar blues form. " Blue in Green" consists of a ten-measure cycle following a short four-measure introduction. [8] " All Blues" is a twelve-bar blues form in 6 Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting Kind of Bluewhere it belongs: the Ultra High Quality Record (UHQR) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record.

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